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Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/3265

Title: "Une grotte qu’il faut peindre bien romantique". Epillio e ecfrasi nei frammenti poetici di André Chénier
Authors: Marinčič, Marco
Issue Date: 2008
Publisher: EUT – Edizioni Università di Trieste
Citation: "'Une grotte qu’il faut peindre bien romantique'. Epillio e ecfrasi nei frammenti poetici di André Chénier", in CentoPagine. Rivista elettronica internazionale che raccoglie i contributi resi nei Seminari sulla continuità dell'antico 2 (2008), pp.64-73
Series/Report no.: CentoPagine. Rivista elettronica internazionale che raccoglie i contributi resi nei Seminari sulla continuità dell'antico
2
Abstract: Since the posthumous publication of his poetic work in 1819, André Chénier has often tended to be regarded as a spiritual father of French Romanticism. Characteristically, Théophile Gautier referred to the philhellenism of Chénier and to the fragmentary nature of his work as anticipatory of a new era in literature. While reaffirming Chénier’s adherence to the aesthetics of 18th century neo-classicism, this article seeks to link the experimental character of «Le Banquet des Satyres» – its form as a fragmentary ‘prosimetric’ sketch, its generic hybridity, acoustic and visual illusionism, interplay of idyllic and tragic tonalities – with Virgil’s Sixth Eclogue as a study in the ‘implicit poetics’ of the Hellenistic and neoteric epyllion.
URI: http://hdl.handle.net/10077/3265
ISSN: 1974-0395
Appears in Collections:CentoPagine 2008

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