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Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/5624

Title: Nei sensi dell’arte: Bernhard Waldenfels ‘lettore’ di Pier Paolo Pasolini
Authors: Baptist, Gabriella
Keywords: Avant-gard theater
doubleness
alienness
aesthetics
Issue Date: 2011
Publisher: EUT Edizioni Università di Trieste
Citation: Gabriella Baptist, "Nei sensi dell’arte: Bernhard Waldenfels ‘lettore’ di Pier Paolo Pasolini", in: Etica & Politica / Ethics & Politics, XIII (2011) 1, pp. 38-45.
Series/Report no.: Etica & Politica / Ethics & Politics
XIII (2011) 1
Abstract: Waldenfels’ analysis of contemporary avant-gard theater in his book Senses and Arts in Mutual Play. Modi of Aesthetic Experience (Frankfurt 2010) gives also a brief comparison with the work of Pier Paolo Pasolini, in fact with a scenic adaptation (“Like a Dog without any Owner”) of the unfinished and posthumous novel Oil, a sort of Satyricon of nowadays. Waldenfels emphasizes above all Pasolini’s phenomenological attitude towards doubleness and strangeness in his analysis of the limits of experience, exemplified by the relationship of the Self with its own body and with the other. An aesthetical epochè seems to be at work according to Waldenfels’ interpretation of Pasolini, but also his ‘reading’ of Pasolini seems to be the exercise of an affectional and responsive epochè, at least because of his indirect writing.
URI: http://hdl.handle.net/10077/5624
ISSN: 1825-5167
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