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Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/5634

Title: Sitzen und Gehen. Zur Hermeneutik des Leibes in den fernöstlichen Künsten
Authors: Giammusso, Salvatore
Keywords: corporeality
far eastern arts
anthropology
Issue Date: 2011
Publisher: EUT Edizioni Università di Trieste
Citation: salvatore Giammusso, "Sitzen und Gehen. Zur Hermeneutik des Leibes in den fernöstlichen Künsten", in: Etica & Politica / Ethics & Politics, XIII (2011) 1, pp. 136-150.
Series/Report no.: Etica & Politica / Ethics & Politics
XIII (2011) 1
Abstract: This article criticizes the classical paradigm of philosophical anthropology, which not only tried a scientifically based determination of human identity, but it also contained practical postulates and an implicit teleology. In my paper I argue that the anthropology in our liquid post-modernity should not idealize its status as “first philosophy”. Rather it should remain descriptive and critical. It is therefore urged a transition from a comparative theory of human identity – based on the animal or computer comparison – to a non-idealistic theory of identity. In this respect, the paper offers a contribution to an anthropology of Far Eastern Arts. It focuses mainly on two phenomena: the seated body in Zen Buddhism and the moving body in Taoism. These arts, I argue, have an educational value because they make discover a bodily and mental self-reference, which also means a reference to the other, a self-withdrawal. Through such an identification with the body, an awareness-based identity takes shape; an identity which is broader than Descartes’ concept of consciousness.
URI: http://hdl.handle.net/10077/5634
ISSN: 1825-5167
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