01. Incontri triestini di filologia classica (2001-2002)
Permanent URI
CONTENTS/SOMMARIO
Franco Serpa
Claudio Marangoni
Huic uni forsan potui succumbere culpae (Verg. Aen. 4,19). Storia e significati di un verso
Alessandra Peri
Teoria e prassi degli enkomia adoxa
Lucio Cristante
La calamita innamorata (Claud. carm. min. 29 Magnes; con un saggio di commento)
Romeo Schievenin
Luigi Munzi
Paolo D’Alessandro
Cesio Basso e il De versuum generibus di Diomede
Mario Labate
Ironia e iperbole nell’immaginario epico di Ovidio
Giuseppe Morelli
Nevio inventore del saturnio in una testimonianza di Diomede
Alberto Cavarzere
Problemi testuali ed esegetici nella Mosella di Ausonio
Gabriele Burzacchini
Spunti serio-comici nella lirica greca arcaica
Laura Micozzi
Eros e pudor nella Tebaide di Stazio: lettura dell’episodio di Atys e Ismene (Theb. VIII 554-565)
Browse
Browsing 01. Incontri triestini di filologia classica (2001-2002) by Issue Date
Results Per Page
Sort Options
- PublicationL’Orazio di Bentley(2006-08-23T06:46:39Z)Richard Bentley (1667–1747) was a leading figure in the history of philology and culture of his time. The work that best illustrates his many activities is the commentary to Horace in 1711 (Q. Horatius Flaccus, ex recensione et cum notis atque emendationibus Richardi Bentleii). Bentley worked on the Horace’s ‘ulgate’ incorporating more than 700 edits (at least 200 of its conjectures) surprising and unexpected. This work, which had a huge effect and surprised (sometimes exacerbates) the world of culture, remains an imperishable witness to the exceptional role – at the epoch – of the textual philology, nor of the incomparable teaching of Bentley.
1679 2438 - PublicationHuic uni forsan potui succumbere culpae (Verg. Aen. 4,19). Storia e significati di un verso(2006-08-23T06:48:06Z)In 1927 Girolamo Vitelli proposed to translate Verg. Aen. IV 19 (Huic uni forsan potui succumbere culpae) separating huic uni to culpae: by so doing, Dido admits the possibility of betrayal «the Ciner of Sicheus» only for a man like Enea. This is not a new interpretation, as many translators of the past (Zoppo, Martelli, Schiappalaria, Carrara, Bozzoli, to name a few) were shown to interpret the verse in a similar manner. But the note of Vitelli has the merit of arousing a heated debate between his supporters and those of interpretation that binds huic uni to culpae. To support the interpretation of Vitelli – according to a rigorous philological method – can be brought comparisons with Catull. 111, 3 (sed cuiuis quamuis potius succumbere par est).
2034 3542 - PublicationTeoria e prassi degli enkomia adoxa(2006-08-23T06:49:23Z)The γκώμια δοξα occupy a prominent position in the production of the Second Sophistic. These compositions were intended to highlight the dialectical capacity of who composed them, and in the history of the genre were also tools of philosophy, in the branch of moral consolation. Fronto provides a discussion of the literary genre, which in Greek literature is not, and that is focused on the cornerstones of suavitas, amplificatio and adseveratio. The Lucianus’ Praise of fly – paradigmatic adoxographical text – seems to follow the directions of Fronto.
1156 2407 - PublicationLa calamita innamorata (Claud. carm. min. 29 Magnes; con un saggio di commento)(2006-08-23T06:51:02Z)The topic of poem 29 by Claudius Claudianus, Magnes, appears to be peripheral with regard to the themes dear to the author. The exegesis of the text leads to remarkable results, both for the removal of concepts such as 'greater and lesser poetry', and for the advancement of knowledge about the art of Claudianus. More specifically, this paper highlights some new programmatic facets of the proem, by which the poet alludes to Virgil (both to text of the Aeneid and of the Georgics) and pays a literary homage – but a homage which tastes of aemulatio – to Lucretius.
1775 3281 - PublicationI talenti di Pedia(2006-08-23T06:52:16Z)At the beginning of the sixth book of De nuptis Philologiae et Mercurii, Martianus Capella surprises the reader with the suspension of the fabula. The significance of this choice – thanks to which the author introduces in the text the character of himself – and the presence of the character of Satura, which solves the fictional arrest of the story, must be explained as a break in the story, in which the author find the space for discussing major issues related to the story itself.
1145 1974 - PublicationIl ‘debole’ Sansone(2006-08-23T06:53:20Z)The Quam velim virginum poem, typical of Latin American literature of the twelfth century, was published by Wright in 1838 and then appears in the collection of the Carmina Arundeliana of Meyer aus Speyer (Die Arundel Sammlung mittellateinischer Lieder, Berlin 1908). Dronke attributed the authorship of the poem to Peter of Blois. The poem is interesting because – apart from conjecture about the author– is a perfect example of ‘second degree’ poetry, built on biblical and classics literary suggestions fused together. Along with typical themes of the ars amatoria (and then with Ovid), we find the figure of Samson, as depicted in the Liber Iudicum. The poetic lusus by authors such as Peter of Blois is the basis of the beginning of European vernacular poetry.
1129 2079 - PublicationCesio Basso e il De versuum generibus di Diomede(2006-08-23T06:54:33Z)The chapter de versuum generibus in the third book of Diomedes’ Ars grammatica has a great importance for studies on the Latin grammar and metric tradition because, in its wealth of analysis and observations, retains us the content of the fifth book of Carisius’ Ars and many fragments of Varro. The reading of Diomedes is very challenging, as demonstrated by Schultz, because its structure is based on the interlacement of four different sources. The interpretation of Schultz must be corrected, because it relegates to a marginal role the De metris of Cesius Bassus, that was, on the arguments and examples, a primary reference text for the same Diomedes.
1586 4086 - PublicationIronia e iperbole nell’immaginario epico di Ovidio(2006-08-23T06:55:48Z)According to the vision of Griffin (The epic cycle and the uniqueness of Homer, «Journ. Hell. St.» XCVII, 1977, 39ff.) the heroic world of the Iliad is selective and excludes the characters that refer to the wonderful, the magic, the hyperbolic. In the Odyssey after the episode of Ciconians, Ulysses ends off course not only with respect to Ithaca, but to the whole heroic world of the Iliad. Ovid, in his ‘Iliad’ (met. XII 1 – XIII 622), takes the epos away from the story, because the epos of Rome, which has a universal character, can accommodate and monitor, without shakes, the categories of exotic and incredible. This feature of the poem can be read from a thematic and typological point of view, and, in a more fully way, with the intertextual analysis.
1880 4796 - PublicationNevio inventore del saturnio in una testimonianza di Diomede(2006-08-23T06:57:08Z)In 1836 Richard Bentley wrote «The first that used the Saturnian verse among the Latins was Naeuius, an old poet Ennius before time». Bentley supported his statement with a passage from the third book Diomedes’ Ars grammatica, in which Naeuius is proclaimed ‘inuentor’ of the Saturnian verse. It is not easy just to understand what was the source of Diomedes. No ancient source known to us refers to the primacy of Naeuius, although many authors associate his name to the Saturnian verse. Diomedes, who in his description retraces two traditions, one accredited by Varro, and that of Cesius Bassus – with technical character – deduces, in a totally arbitrary way, that the inventor of Saturnian verse was Naeuius. Hence the mistake - twelve centuries later – made by Richard Bentley.
1526 3369 - PublicationProblemi testuali ed esegetici nella Mosella di Ausonio(2006-08-23T06:58:28Z)In 1991 comes out The Works of Ausonius, edited with Introduction and Commentary by R.P.H. Green, Oxford. The scientific community welcomes the Green’s work with appreciation. At last an edition of the level of Schenkl’s (1882) supersedes the work of Peiper (1886) and del Prete (1978) providing a new textual order which could become the canonical one, at least «for the next century» (Kennedy). However, the work is liable to improvements, and some are here suggested, indeed in a persuasive way, with special regard to the text of the Mosella.
1480 3563 - PublicationSpunti serio-comici nella lirica greca arcaica(2006-08-23T06:59:52Z)Lawrence Giangrande (The Use of spoudaiogeloion in Greek and Roman Literature, The Hague-Paris 1972) gave a definition of σπουδογέλοιον – unconvincing – that provides the fundamental present, in the serio-comic, of the educational component. Giangrande has also led to ignore in its analysis, Homer and archaic poetry, almost entirely neglected. It is clear that the definition of this narrative modality has to be somewhat 'flexible', and emphasize the presence of serious and trivial elements in their proportions, not forgetting the aim of the author and the datum public. Not forgettimg, in the analysis, authors such as Archilocus, Mymnermus, Semonides.
2103 7971 - PublicationEros e pudor nella Tebaide di Stazio: lettura dell’episodio di Atys e Ismene (Theb. VIII 554-565)(2006-08-23T07:01:12Z)In the eighth book of the Thebaid of Statius is set the episode of Atys and Ismene, that is a paradigmatic case of 'invention' of Statius and rewrite of the myth. Statius competes with the most different models, but he is inspired by a narrative cue in the Iliad and in the Aeneid, that of the young suitor who found dead before the wedding. A careful and conscious reading not escapes reminiscences from Apollonius Rhodius, Seneca, Ovid, testimony of sophisticated and complex art of the author.
1897 5664