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  5. 1994 / 1 Prospero. Rivista di culture anglo-germaniche
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1994 / 1 Prospero. Rivista di culture anglo-germaniche

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https://www.openstarts.units.it/handle/10077/7027

Scarica il numero completo della rivista / Download issue full text / Download Ausgabe Volltext

David Snelling
Prospero on the Coast of Bohemia. "Nihil sed rara et miranda amabat". Diary of Melchior Goldast upon the late Emperor Rudolph II

Franca Bernabei
La scena della memoria: il "Temps Perdi" di Jean Rhys

Leonardo Buonomo
Melville's Pierre: Don Quixote with a Vengeance

Renzo Stefano Crivelli
L'importanza di essere Polonio: Eliot e l'Amleto shakespeariano

Teresa Fiore
Crossing and Recrossing "Woman Hollering Creek" by Sandra Cisneros

Alfred Karnein
Aspekte der Geschlechterbeziehungen in Nibelungenlied und bei Richard Wagner

Ulrich Müller
Oswald von Wolkenstein und Neithart Fuchs: das Tanzlied "Ir alten Weib" ein Schlager des späten Mittelalters

Lorenza Rega
Die Hamletmaschine di Heiner Müller

Cristina Schiavinato
Merlino e la figura femminile: il rapporto tra Merlino e le donne nelle opere di Geoffrey of Monmouth

Michael Dallapiazza
Recensioni - Reviews - Rezensionen

Browsing 1994 / 1 Prospero. Rivista di culture anglo-germaniche by Subject "Don Quixote – literary heritage"

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    Melville's "Pierre": Don Quixote with a Vengeance
    (EUT Edizioni Università di Trieste, 1994)
    Buonomo, Leonardo
    The reference to Cervantes’s masterpiece is meant to evoke one of the most powerful incarnations of the hero as reader and author in Western literature. The protagonist of Herman Melville’s "Pierre or The Ambiguities" (1852) is a sort of a cousin of Don Quixote. It is worth devoting some attention to the particular climate in which this novel was conceived, published and received. Not only did the book prove to be very unpopular, but it was rebuffed with unusual violence and animosity by almost all contemporary reviewers. It is undeniable that some of the themes Melville chose to address in "Pierre", such as his unmasking of the dark face of family relationships or his observations on the value of Christianity, are daring and may appear to be deliberately provoking and shocking rather than calculated for popularity. What made the book particularly unappealing to the majority of readers was its anti-moral; it represented to them something new and astonishing, that is to say crude and vulgar.
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