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Recent Submissions

Now showing 1 - 5 of 13
  • Publication
    La segregazione socio-spaziale come conseguenza delle grandi opere. Il caso della diga argentina di Yacyretá a Posadas
    (EUT Edizioni Università di Trieste, 2018)
    Dalla Pietà, Enrico
    The Author analyzes the economic and political choices that have led to the construction of the Yacyretà dam and its subsequent development. It pays particular attention to the urban context and to the relevant socio-spatial changes that have been determined for the inhabitants and for the entire Argentine city of Posadas.
      1296  915
  • Publication
    La percezione della conquista delle Americhe tra cultura e diplomazia nella Venezia del Cinquecento
    (EUT Edizioni Università di Trieste, 2018)
    Argenio, Daniele
    The Author reflects about the perception of the Colonization of the Americas in Venetian culture of the sixteenth century; he proceeds examining in particular some sources of political and literary nature, and the official reports written by Venetian diplomats, in mission at the Courts of Charles V and Philip II. From the analysis, the perception of the American events appears to be very diverse, varying according to personal sensitivity and political opinion of each single historical characters.
      1155  2240
  • Publication
    Sintesi
    (EUT Edizioni Università di Trieste, 2018)
      194  91
  • Publication
    Religión y sociedad en México. Vitaliano Lilla, misionero pasionista
    (EUT Edizioni Università di Trieste, 2018)
    Meglio, Lucio
    The Author presents the biography of the first Italian Passionist missionary in Mexico, p. Vitaliano de Santa Inés. Through the historical-sociological reading of the documents, it is possible to obtain a breakthrough in the social and religious life of Mexico in the nineteenth century.
      1105  581
  • Publication
    1989. La storia dell’arte contemporanea riparte da Cuba? Spezzoni di un dibattito europeo
    (EUT Edizioni Università di Trieste, 2018)
    Monaldi, Marcello
    The Author compares with some theoretical positions concerning contemporary art to focus on the category of "global art". While Belting uses this category to overcome modern art history, Rebentisch disputes the pertinence and promotes the critical-political role of modern art for the present. But Vettese is skeptical about the impact of political criticism in contemporary art. The Author highlights in this way how the sense of Contemporary is still uncertain and indefinable.
      1300  837