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Colour Perception Between Psychology and Art

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dc.contributor.authorCattaruzza, Serena
dc.date.accessioned2014-11-25T14:38:25Z
dc.date.available2014-11-25T14:38:25Z
dc.date.issued2014
dc.description.abstractThe poster refers to important contributions of psychological research on colours. Special emphasis is given to the fundamental classification proposed by David Katz, who strongly influenced subsequent studies; e.g., those by Karl Bühler and Gaetano Kanizsa. In particular, the opposition between diaphanic and epiphanic colours is discussed and applied to two recent paintings of a contemporary experimental artist.
dc.identifier.citationSerena Cattaruzza, "Colour Perception Between Psychology and Art" in: Paolo Bernardis, Carlo Fantoni, Walter Gerbino (eds.) "TSPC2014. Proceedings of the Trieste Symposium on Perception and Cognition, November 27-28", Trieste, EUT Edizioni Università di Trieste, 2014, pp. 97-98.it_IT
dc.identifier.eisbn978-88-8303-610-1
dc.identifier.urihttp://hdl.handle.net/10077/10524
dc.language.isoenit_IT
dc.publisherEUT Edizioni Università di Trieste
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectdiaphanic colours
dc.subjectepiphanic colours
dc.subjectsimultaneous chromatic contrast
dc.subjectchromatic constancy
dc.subjectKanizsa Archives
dc.titleColour Perception Between Psychology and Artit_IT
dc.typeBook Chapter
dspace.entity.typePublication
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TSPC2014: Proceedings of the Trieste Symposium on Perception and Cognition, November 27th-28th 2014