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Maillol e l’Italia: diffusione dell’opera e fortuna critica dal Salon d’Automne al 1930
Salvador, Fabiana
2012
Abstract
The success of Aristide Maillol originates at the Salon d’Automne in 1905. He owes much to the German
critics and collectors who value his work internationally. The French artist is almost absent from the Italian
exhibitions and does not receive any particular attention from the critics and the press. However, he is wellknown
by the Italian sculptors thanks to the diffusion of illustrated art magazines and to personal experiences
of some in the French capital. At the end of the Twenties, a fundamental role is recognized to Maillol in the
classicist renovation of the arts in Italy.
Series
AFAT
31
Publisher
EUT Edizioni Università di Trieste
Source
Fabiana Salvador "Maillol e l’Italia: diffusione dell’opera e fortuna critica dal Salon d’Automne al 1930" in: "AFAT 31", EUT Edizioni Università di Trieste, Trieste, 2012, pp. 181-194
Languages
it
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