Repository logo
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
Repository logo
Repository logo
  • Archive
  • Series/Journals
  • EUT
  • Events
  • Statistics
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
  1. Home
  2. EUT Edizioni Università di Trieste
  3. Monografie
  4. Law, Justice and Codification in Qing China
  5. Law, Justice and Codification in Qing China. European and Chinese Perspectives. Essays in History and Comparative Law
  6. The Cruel Imagination: Oriental Tortures from a Future Past in Albert Robida’s Illustrations for La Guerre infernale (1908)
 
  • Details
  • Metrics
Options

The Cruel Imagination: Oriental Tortures from a Future Past in Albert Robida’s Illustrations for La Guerre infernale (1908)

Iannuzzi, Giulia
2017
Loading...
Thumbnail Image
ISBN
978-88-8303-842-6
http://hdl.handle.net/10077/15718
  • Book Chapter

e-ISBN
978-88-8303-843-3
Abstract
It was for a planned future section of his war museum entitled “Storia dell’avvenirismo – Precursori della Futurologia” (“The History of Futurism – The Forerunners of Futurology) that in 1957 Diego de Henriquez, ex-soldier and passionate collector, bought fifteen of Albert Robida’s original sketches for Pierre Giffard’s La Guerre infernale (1908) from a bookstand in Rome. Of these original illustrations (today at the Civico Museo di guerra per la pace “Diego de Henriquez” of the City of Trieste), eight are reproduced in Law, Justice and Codification in Qing China. Accompanying and drawing on their publication, this essay critically assesses Giffard and Robida’s work, outlining precedents and coeval trends as regards the representation of Chinese tortures and the Yellow Peril in early science fiction and Western public discourse. La Guerre infernale is an early work of science fiction which offers, today, a graphic example of the collective imagery of coeval times related to future wars and technologies, Chinese punishments and atrocities, and fears of the Yellow Peril. By 1908, the theme of Chinese torture, and the topos of Oriental cruelty was not unprecedented in Robida’s work, nor was it an isolated case in popular French and Western publications. Be that as it may (and perhaps precisely because it taps into broader cultural currents), the clash, in La Guerre infernale, between ethnic stereotypes, which informed the representation of Oriental brutality and sadism, and visions of a future driven by technological progress, offers a unique vantage point from which to observe and critically assess Sino-Western cultural relationships at the dawn of the Twentieth century (or at the end of a “long” Nineteenth century).
Subjects
  • Albert Robida

  • Pierre Giffard

  • La Guerre infernale

  • ethnic stereotypes

  • Oriental cruelty

  • Yellow Peril

  • Sino-European relatio...

  • Western knowledge of ...

  • early science fiction...

Publisher
EUT Edizioni Università di Trieste
Source
Giulia Iannuzzi, "The Cruel Imagination: Oriental Tortures from a Future Past in Albert Robida’s Illustrations for La Guerre infernale (1908)", in: Guido Abbattista (edited by), "Law, Justice and Codification in Qing China. European and Chinese Perspectives. Essays in History and Comparative Law", Trieste, EUT Edizioni Università di Trieste, 2017, pp. 193-212.
Languages
en
Rights
Attribution-NonCommercial-NoDerivatives 4.0 Internazionale
Licence
http://creativecommons.org/licenses/by-nc-nd/4.0/
File(s)
Loading...
Thumbnail Image
Download
Name

Codice_Cinese_Iannuzzi.pdf

Format

Adobe PDF

Size

11.92 MB

Indexed by

 Info

Open Access Policy

Share/Save

 Contacts

EUT Edizioni Università di Trieste

OpenstarTs

 Link

Wiki OpenAcces

Archivio Ricerca ArTS

Built with DSpace-CRIS software - Extension maintained and optimized by 4Science

  • Cookie settings
  • Privacy policy
  • End User Agreement
  • Send Feedback