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Multimedialità e multimodalità sulle scene russe
Multimediality and Multimodality on the Russian Stage
Olivieri, Claudia
2024
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e-ISSN
2283-5482
Abstract
The article offers a brief review of Russian stage experiences that make use of multimedia and multimodal practices and techniques. The two terms are often confused: while the former emphasises the (technological and digital) means of transmitting information, the latter focuses on the way in which information can be transmitted/received; it is precisely on the different modes of reception (sight, hearing, motion, involvement of several senses) that the analysis is articulated.
L’articolo propone una breve rassegna di esperienze sceniche russe che si avvalgono di pratiche e tecniche multimediali e multimodali. I due termini vengono spesso confusi: se il primo pone l’accento sul mezzo (tecnologico e digitale) di trasmissione dell’informazione, il secondo si concentra sul modo in cui l’informazione puo essere trasmessa/recepita; e proprio sui diversi modi ricettivi (vista, ascolto, moto, coinvolgimento di piu sensi) che si articola l’analisi.
The article offers a brief review of Russian stage experiences that make use of multimedia and multimodal practices and techniques. The two terms are often confused: while the former emphasises the (technological and digital) means of transmitting information, the latter focuses on the way in which information can be transmitted/received; it is precisely on the different modes of reception (sight, hearing, motion, involvement of several senses) that the analysis is articulated.
Journal
Publisher
EUT Edizioni Università di Trieste
Source
Claudia Olivieri, "Multimedialità e multimodalità sulle scene russe" in: "Slavica Tergestina 33 (2024/II)", EUT Edizioni Università di Trieste, Trieste, 2024, pp. 436
Languages
it
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International
File(s)