Publication: Pomen prostora in časa v Driadi Gregorja Strniše
Loading...
Date
2016-03-01
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
EUT Edizioni Università di Trieste
Abstract
Članek obravnava prostorsko/časovno
konstrukcijo dramske realnosti v
Strniševi drami Driada. To je tekst, ki
ne upošteva treh enotnosti in vseskozi
niza fantastične elemente ter prehaja
med zelo različnimi dogajalnimi mesti
in zgodovinskimi časi. A Strniševa
zgodba prav s temi prehajanji in izrazito
fantastiko konstruira resničnost,
ki obstaja za tistim, kar je vidno na
prvi pogled. Prehajanje od velikega k
majhnemu in obratno ali od kratkotrajnega
k večnemu ustvarja napetost med
tragičnim in komičnim vidikom sveta.
Zato je igra groteskna. To pa ji daje tudi
izrazit etični naboj, saj kaže razliko
med pesniško resničnostjo sveta in malomeščansko
štacunarsko miselnostjo,
kakor Strniša pravi sodobni potrošniški družbi.
The article analyses the space/time construction of reality in Driada, one of Gregor Strniša’s most unusual works. The drama does not follow the aristotelian rules of the three unities. Furthermore, it easily changes between different historical periods and places and therefore constructs a virtual reality, which exists behind what can be seen through limited human experience of the world. The transitions from the biggest to the smallest and from the past to the future are distinguished features ot the grotesque image of reality. The grotesqe character of the play gives rise to an ethic dimension, which sees the contradiction between the poetic comprehension of the world and its everyday consumer logic.
The article analyses the space/time construction of reality in Driada, one of Gregor Strniša’s most unusual works. The drama does not follow the aristotelian rules of the three unities. Furthermore, it easily changes between different historical periods and places and therefore constructs a virtual reality, which exists behind what can be seen through limited human experience of the world. The transitions from the biggest to the smallest and from the past to the future are distinguished features ot the grotesque image of reality. The grotesqe character of the play gives rise to an ethic dimension, which sees the contradiction between the poetic comprehension of the world and its everyday consumer logic.
Description
Keywords
Gregor Strniša, slovenska dramatika, poetična drama, prostor in čas, načelo komplementarnost, slovenian dramatics, poetic drama, time and space, the principle of complementarity
Citation
Igor Žunkovič, "Pomen prostora in časa v Driadi Gregorja Strniše", in: Slavica Tergestina, 16 (2014/2015), pp. 40-65