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Théories de la représentation artistique, de l’artiste et de l’imaginaire chez Sénèque
2006-08-22T07:26:19Z
Abstract
The paper discusses the Seneca's theories about artistic depiction: why does Seneca, who is a stoic convinced of the reality of the visible and of the legitimacy of perception as a first approach to the truth, add to the four Aristotelian causes of the artwork, a fifth case, which he has borrowed from Plato, the "model", the "idea", defining it indifferently as both that from which the artist looks away and that which he has in him?
Series
Polymnia. Studi di Filologia Classica 6
Languages
it
Rights
© Copyright 2005 Edizioni Università di Trieste - EUT
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