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  5. 2019 / 24 Prospero. Rivista di letterature e culture straniere
  6. Der «habsburgische Mythos» und die kakanische Tradition. Wie Claudio Magris’ Deutung der Wiener Moderne von dieser selbst geprägt ist
 
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Der «habsburgische Mythos» und die kakanische Tradition. Wie Claudio Magris’ Deutung der Wiener Moderne von dieser selbst geprägt ist

Wolf, Norbert Christian
2019
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ISSN
1123-2684
DOI
10.13137/2283-6438/29429
http://hdl.handle.net/10077/29429
  • Article

e-ISSN
2283-6438
Abstract
While recent scholarship stresses the modernism of the literature of Viennese Modernism, in the 1960s Claudio Magris highlighted its fundamental regressivity – a diagnosis that today may appear surprising. The following contribution seeks to explore why the young Magris focused on the retrospective sentimentality of modern Austrian culture rather than its forward-looking traits. This will be investigated through the reconstruction of the intellectual tradition within which he developed his thesis of the “Habsburg myth”.
Journal
Prospero. Rivista di letterature e culture straniere 
Publisher
EUT Edizioni Università di Trieste
Source
Norbert Christian Wolf, "Der 'habsburgische Mythos' und die kakanische Tradition. Wie Claudio Magris’ Deutung der Wiener Moderne von dieser selbst geprägt ist" in: "2019 / 24 Prospero. Rivista di letterature e culture straniere", EUT Edizioni Università di Trieste, Trieste, 2019 pp. 57-75
Languages
de
Rights
Attribution-NonCommercial-NoDerivatives 4.0 Internazionale
Licence
http://creativecommons.org/licenses/by-nc-nd/4.0/
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5_XXIV_2019_online.pdf

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