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Ностальгический опыт vs. феномен разрыва в мифологии обнуления И. Бродского
Nostalgic Experience vs. the Phenomenon of Breaking in the Mythology of zeroing J. Brodsky
Fokina, Svetlana
2023
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e-ISSN
2283-5482
Abstract
The article presents an understanding of manifestations of emigrant poetics in the dialogue of the Apollonian and Dionysian modes of consciousness of the modern poet-emigrant as an original type of worldview and writing. The background of the formation of the emigrant poetics traces such as nostalgia, split consciousness, rupture, transgressive identity. It reveals specificity of manifestations of nostalgia and rupture through significance of memory, sensational sphere, semiotics of passions, theatrics, mechanisms of zeroing. J. Brodsky is regarded as the reference person of the poet-emigrant who created the modern emigration canon. Brodsky’s representative creative position was studied in terms of apollonian, dionysian, and trickster identification. The research perspective also focuses on the interpretation of J. Brodsky’s poem Only the ashes know what it means to burn to the ground… The Roman codes of this poetic text are affected by the analysis. The author’s strategies have been identified in the plan of formation of the mythology of zeroing with corresponding change of view on the world from the position of ≪i≫ to the perspective of ≪we≫, related to unity of intellectual emigration.
В статье представлено осмысление проявлений эмигрантской поэ- тики в диалоге аполлонического и дионисийского модусов сознания современного поэта-эмигранта как самобытного типа мировоззрения и письма. Прослеживаются различ- ные предпосылки формирования эмигрантской поэтики, такие как ностальгия, раздвоенное сознание, разрыв, трансгрессивная иден- тичность. Выявляется специфика проявлений ностальгии и разрыва через значимость памяти, сенсетив- ной сферы, семиотики страстей, теа- трализации, механизмы обнуления. Изучена репрезентативная творче- ская позиция И. Бродского в плане аполлонической, дионисийской и трикстерской идентификации. Исследовательский ракурс сосре- доточен также на интерпретации стихотворения И. Бродского Только пепел знает, что значит сгореть до тла… В ходе анализа затронуты римские коды данного бродсковско- го поэтического текста. Выявлены авторские стратегии формирования мифологии обнуления с соответству- ющей сменой точки зрения на мир с позиции «я» на ракурс «мы», соотносимый с единством интеллек- туальной эмиграции.
The article presents an understanding of manifestations of emigrant poetics in the dialogue of the Apollonian and Dionysian modes of consciousness of the modern poet-emigrant as an original type of worldview and writing. The background of the formation of the emigrant poetics traces such as nostalgia, split consciousness, rupture, transgressive identity. It reveals specificity of manifestations of nostalgia and rupture through significance of memory, sensational sphere, semiotics of passions, theatrics, mechanisms of zeroing. J. Brodsky is regarded as the reference person of the poet-emigrant who created the modern emigration canon. Brodsky’s representative creative position was studied in terms of apollonian, dionysian, and trickster identification. The research perspective also focuses on the interpretation of J. Brodsky’s poem Only the ashes know what it means to burn to the ground… The Roman codes of this poetic text are affected by the analysis. The author’s strategies have been identified in the plan of formation of the mythology of zeroing with corresponding change of view on the world from the position of ≪i≫ to the perspective of ≪we≫, related to unity of intellectual emigration.
Journal
Source
Светлана А. Фокина, "Ностальгический опыт vs. феномен разрыва в мифологии обнуления И. Бродского" in: "Slavica Tergestina 31 (2023/II)", EUT Edizioni Università di Trieste, Trieste, 2023, pp. 292-319
Languages
ru
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International
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