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«Лена и люди» Елены Фанайловой: к социологии и поэтике русского верлибра
“Lena and the People” by Elena Fanailova: towards the Sociology and Poetics of the Russian Free Verse
Степанов, Александр
2025
Abstract
The connection of the poetic form with the content is investigated. The free verse, developed by W. Whitman in the second half of the 19th century, took root in the USSR with difficulty. In modern Russian poetry, the free verse, while preserving the aura of Western poetic culture, often combines gender and political meanings, broadcasting the painful experience of the author, his protest worldview. An example is Elena Fanailova’s free verse “Lena and the People” as a way of speaking directly, preserving a nonconformist message. At the same time, the relevance of free verse is motivated by aesthetic reasons: the dynamic change of subjects of speech, stylistic registers, modalities, the use of techniques for constructing epic and dramatic text (plot, conflict, dialogue, etc.), the involvement or imitation of elements of non-artistic discourse, the introduction of the widest information flows into poetic speech.
Исследуется связь стихотворной формы с содержанием. Верлибр, раз- работанный У. Уитменом во второй половине XIX в., приживался в СССР с трудом. В современной российской поэзии верлибр, сохраняя ореол западной поэтической культуры, нередко сочетает гендерные и по- литические смыслы, транслируя болевой опыт автора, его протестное мировоззрение. Примером может служить верлибр Елены Фанайловой «Лена и люди» как способ прямого говорения, сохраняющий нонкон- формистский посыл. В то же время актуальность свободного стиха мотивирована эстетическими при- чинами: динамической сменой субъектов речи, стилевых регистров, модальностей, использованием приемов построения эпического и драматического текста (сюжет, конфликт, диалог и т. д.), привле- чением или имитацией элементов нехудожественного дискурса, введе- нием в стихотворную речь широчай- ших информационных потоков.
The connection of the poetic form with the content is investigated. The free verse, developed by W. Whitman in the second half of the 19th century, took root in the USSR with difficulty. In modern Russian poetry, the free verse, while preserving the aura of Western poetic culture, often combines gender and political meanings, broadcasting the painful experience of the author, his protest worldview. An example is Elena Fanailova’s free verse “Lena and the People” as a way of speaking directly, preserving a nonconformist message. At the same time, the relevance of free verse is motivated by aesthetic reasons: the dynamic change of subjects of speech, stylistic registers, modalities, the use of techniques for constructing epic and dramatic text (plot, conflict, dialogue, etc.), the involvement or imitation of elements of non-artistic discourse, the introduction of the widest information flows into poetic speech.
Journal
Publisher
EUT Edizioni Università di Trieste
Source
Александр Степанов, "«Лена и люди» Елены Фанайловой: к социологии и поэтике русского верлибра" in: "Slavica Tergestina 35 (2025/II)", EUT Edizioni Università di Trieste, Trieste, 2025, pp. 158-193
Languages
ru
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International