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Метаморфозы в книге Елены Фанайловой «С особым цинизмом»
The Metamorphoses in Elena Fanailova’s book With a Special Cynicism
Марков, Александр
Штайн, Оксана
2025
Abstract
The paper examines the imagery of metamorphoses in the poetic book of Elena Fanailova, which is pivotal to the issue. The link between the theme of metamorphosis and corporeal ecstaticity, which was explained by philosopher Vladimir Bibikhin, is substantiated. Ecstaticity is conceptualized not as parting with the self, but as concentratedness. In Fanailova’s narrative poetry, this concentratedness means grasping one’s own state before and after metamorphosis, the collision of not two temporal but two ontological perspectives. Fanailova addresses the experience of dying in the key of both religious meditation and the constant violence of images, which are cynical in the current media sphere. Immortality is then understood not as a change of existential identity coding, but as the acquisition of a distinctive first-person utterance that requires the recognition of another’s pain, and thus a special politics of relationship with another person.
В статье рассмотрены образы ме- таморфоз в центральной для темы поэтической книге Елены Фанай- ловой. Доказывается связь темы метаморфоз с телесной экстатич- ностью, которую объяснил философ Владимир Бибихин. Экстатичность понимается не как расставание с со- бой, но как концентрированность. В нарративной поэзии Фанайловой эта концентрированность означает схватывание собственного состоя- ния до и после метаморфозы, стол- кновение уже не двух временных, но двух онтологических планов. Фанайлова рассматривает опыт умирания в ключе и религиозной медитации, и постоянного насилия образов, которые циничны в совре- менной медиасреде. Бессмертие тогда понимается не как измене- ние экзистенциальной кодировки, но как обретение особого перволич- ного высказывания, требующего признания чужой боли, а значит, и особой политики отношений с другим человеком.
The paper examines the imagery of metamorphoses in the poetic book of Elena Fanailova, which is pivotal to the issue. The link between the theme of metamorphosis and corporeal ecstaticity, which was explained by philosopher Vladimir Bibikhin, is substantiated. Ecstaticity is conceptualized not as parting with the self, but as concentratedness. In Fanailova’s narrative poetry, this concentratedness means grasping one’s own state before and after metamorphosis, the collision of not two temporal but two ontological perspectives. Fanailova addresses the experience of dying in the key of both religious meditation and the constant violence of images, which are cynical in the current media sphere. Immortality is then understood not as a change of existential identity coding, but as the acquisition of a distinctive first-person utterance that requires the recognition of another’s pain, and thus a special politics of relationship with another person.
Journal
Publisher
EUT Edizioni Università di Trieste
Source
Александр Марков, Оксана Штайн, "Метаморфозы в книге Елены Фанайловой «С особым цинизмом»" in: "Slavica Tergestina 35 (2025/II)", EUT Edizioni Università di Trieste, Trieste, 2025, pp. 104-122
Languages
ru
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International