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    <title>DSpace Collection: Sacrum facere. Atti del II Seminario di Archeologia del Sacro. Contaminazioni: forme di contatto, traduzione e mediazione nei sacra del mondo greco e romano. Trieste, 19-20 aprile 2013</title>
    <link>http://hdl.handle.net/10077/10344</link>
    <description>Sacrum facere. Atti del II Seminario di Archeologia del Sacro. Contaminazioni: forme di contatto, traduzione e mediazione nei sacra del mondo greco e romano. Trieste, 19-20 aprile 2013</description>
    <pubDate>Sat, 24 Sep 2022 11:21:20 GMT</pubDate>
    <dc:date>2022-09-24T11:21:20Z</dc:date>
    <item>
      <title>Conclusioni</title>
      <link>http://hdl.handle.net/10077/10365</link>
      <description>Title: Conclusioni
Authors: Cresci Marrone, Giovannella</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
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      <dc:date>2014-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Cibele e Apollo su un’ara da Celeia</title>
      <link>http://hdl.handle.net/10077/10364</link>
      <description>Title: Cibele e Apollo su un’ara da Celeia
Authors: de Franzoni, Annalisa
Abstract: The attention of the author is focused on the relationship between Cybele and Apollo&#xD;
on a votive altar found in the territory of the ancient Celeia. The presence of symbols&#xD;
referring both to the anatolian goddess and to the oracular deity on the sides of the&#xD;
monument was considered from scholars as an evidence of a symbiosis between these&#xD;
particular healing deities. However, the lack of close comparisons for this exclusive&#xD;
association with respect to other figurative documents in the roman world leads to a&#xD;
review of the monument. The considering of the altar from a different prospective and&#xD;
the research of connection between metroac and apollonian cult on an historical level&#xD;
suggest an alternative interpretation for the presence of tripod and other symbols of&#xD;
Apollo on the altar.</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
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      <dc:date>2014-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Un pastiche iconografico: Anubi pastore tra gli animali</title>
      <link>http://hdl.handle.net/10077/10363</link>
      <description>Title: Un pastiche iconografico: Anubi pastore tra gli animali
Authors: Murgia, Emanuela
Abstract: In Norditalien gibt es nur wenige Fußbodenmosaike mit mythologischen Darstellungen.&#xD;
Eine der interessantesten Beispiele ist ein Mosaik, das 1948 in Rimini entdeckt&#xD;
wurde und eine männliche Figur abbildet, in Hirtenbekleidung, mit Hundskopf, der&#xD;
eine große Anzahl wilder Tiere und Fabelwesen hütet.&#xD;
Die Figur wurde von der Wissenschaft als Anubis interpretiert. Dieser Beitrag beschäftigt&#xD;
sich mit den in diesem Zusammenhang auftretenden Fragen der Datierung und&#xD;
dem Kontext des Mosaiks ebenso wie mit denen der ikonographischen Interpretation&#xD;
der Szene, die einzigartig ist.</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
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      <dc:date>2014-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Dioniso e Arianna a colloquio. Contaminazioni iconografiche su un’anfora attica a figure nere dai Civici Musei di Storia ed Arte di Trieste</title>
      <link>http://hdl.handle.net/10077/10362</link>
      <description>Title: Dioniso e Arianna a colloquio. Contaminazioni iconografiche su un’anfora attica a figure nere dai Civici Musei di Storia ed Arte di Trieste
Authors: Bottos, Marta
Abstract: The aim of this paper is to reconsider and to put in its context the iconographic scheme&#xD;
with the meeting between Dionysus and Ariadne. The point of departure is an Attic&#xD;
black-figure amphora kept in Trieste’s Civici Musei di Storia ed Arte, which has been&#xD;
attributed to the Antimenes Painter (530-510 BC). In the following, we will discuss&#xD;
the beginning of this scheme by the theories of Cornelia Isler-Kerényi, which in several&#xD;
papers points out the Cycladic origin of the depiction with Dionysus and Ariadne. In&#xD;
greater detail, the scholar believes that there is a close connection between the scheme&#xD;
depicted in the Attic black-figure and a discussed Cycladic production, the Melian pottery.&#xD;
The critical review of this thesis raises interesting questions about the beginning and the development of this iconographic scheme, which are going to enjoy great fortune&#xD;
for all the VI century BC.</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
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      <dc:date>2014-01-01T00:00:00Z</dc:date>
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