Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/10362
Title: Dioniso e Arianna a colloquio. Contaminazioni iconografiche su un’anfora attica a figure nere dai Civici Musei di Storia ed Arte di Trieste
Authors: Bottos, Marta
Issue Date: 2014
Publisher: EUT Edizioni Università di Trieste
Source: Marta Bottos, Dioniso e Arianna a colloquio. Contaminazioni iconografiche su un’anfora attica a figure nere dai Civici Musei di Storia ed Arte di Trieste, in Sacrum facere. Atti del II Seminario di Archeologia del Sacro. Contaminazioni: forme di contatto, traduzione e mediazione nei sacra del mondo greco e romano. Trieste, 19-20 aprile 2013, a cura di Federica Fontana, Emanuela Murgia, Eut, Trieste, 2014, pp. 263-279
Series/Report no.: Polymnia: Collana di Scienze dell'Antichità. Studi di Archeologia
6
Abstract: The aim of this paper is to reconsider and to put in its context the iconographic scheme with the meeting between Dionysus and Ariadne. The point of departure is an Attic black-figure amphora kept in Trieste’s Civici Musei di Storia ed Arte, which has been attributed to the Antimenes Painter (530-510 BC). In the following, we will discuss the beginning of this scheme by the theories of Cornelia Isler-Kerényi, which in several papers points out the Cycladic origin of the depiction with Dionysus and Ariadne. In greater detail, the scholar believes that there is a close connection between the scheme depicted in the Attic black-figure and a discussed Cycladic production, the Melian pottery. The critical review of this thesis raises interesting questions about the beginning and the development of this iconographic scheme, which are going to enjoy great fortune for all the VI century BC.
URI: http://hdl.handle.net/10077/10362
ISBN: 978-88-8303-576-0
Appears in Collections:Polymnia. Studi di archeologia n.06

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