Please use this identifier to cite or link to this item:
Title: L'incisione a Firenze a ridosso della Grande Guerra: spunti per gli esordi di Carlo Sbisà
Authors: Marini, Giorgio
Issue Date: 2014
Publisher: EUT Edizioni Università di Trieste
Source: Giorgio Marini, "L'incisione a Firenze a ridosso della Grande Guerra: spunti per gli esordi di Carlo Sbisà", in: Luca Caburlotto e Massimo De Grassi (a cura di) "Carlo Sbisà: 'ai quadri miei non dan libero passo' Convegno di Studi, Trieste, Palazzo Economo, Salone Piemontese, 22-23 maggio 2014", EUT Edizioni Università di Trieste, Trieste, 2014, pp. 69-96
Abstract: The first decades of 20th century in Florence correspond to a period of a flourishing production in the field of the graphic arts, in book illustration, in art and literary journals. When Carlo Sbisà arrived from Trieste at the beginning of 1919, the Tuscan city was still seeing the effects of the establishment in 1912 of the chair of printmaking in the local Academy of Fine Arts, and a growing interest for the international “etchig revival” also due to the contribution of many young artists who had come to Florence from the North-East regions of Italy to escape the war. The central role of the practice of drawing and etching in Sbisà’s career during the 1920s, in close relationship with the style of Emilio Mazzoni Zarini and the contemporary research of Giannino Marchig and Carlo Cainelli, marks his Florentine experience with a deep taste for linearity which was to remain influential for his further production.
ISBN: 978-88-8303-593-7
eISBN: 978-88-8303-594-4
Appears in Collections:Carlo Sbisà: "ai quadri miei non dan libero passo"

Files in This Item:
File Description SizeFormat 
giorgio marini.pdf26.11 MBAdobe PDFView/Open
Show full item record

CORE Recommender

Page view(s)

checked on Oct 16, 2018


checked on Oct 16, 2018

Google ScholarTM


This item is licensed under a Creative Commons License Creative Commons