Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/10626
Title: Ein ganzes Schaffen. Denkmodelle von künstlerischer Schöpfung am Paradigma des Organismus um 1800
Authors: Heinz, Jutta
Issue Date: 2014
Publisher: EUT Edizioni Università di Trieste
Source: Jutta Heniz, "Ein ganzes Schaffen. Denkmodelle von künstlerischer Schöpfung am Paradigma des Organismus um 1800", in: "Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali", XIX (2014), EUT Edizioni Università di Trieste, Trieste, 2014, pp. 83-102
Series/Report no.: Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali
XIX (2014)
Abstract: The essay deals with the role and development of organicistic ideas and concepts of aesthetic production aesthetics in the 18th century. It reconstructs und compares the structural arguments which constitute those concepts in texts of Christian Blanckenburg, Johann Georg Sulzer, Christoph Martin Wieland, Johann Gottfried Herder, Karl Philipp Moritz, Friedrich Schiller und Johann Wolfgang Goethe. As a result it presents different models of production aesthetics in connection to the organism: the artist (e.g. as genius) can be viewed as an alter ego of the Creator; or the work of art itself can be viewed as microcosm, which mirrors the laws of nature on a smaller scale. Finally the making of a work of art can be considered analogous to organicistic processes in nature. Schiller’s idea of the “lebendige Gestalt” and Goethes idea of morphology both demonstrate, how holistic concepts of the natural organism inform production aesthetics.
URI: http://hdl.handle.net/10077/10626
ISSN: 1123-2684
DOI: 10.13137/2283-6438/10626
Appears in Collections:2014 / 19 Prospero. Rivista di letterature e culture straniere

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