Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/12856
Title: Federico Bencovich: la fortuna critica, un itinerario
Authors: Crosilla, Gabriele
Issue Date: 2012
Publisher: EUT Edizioni Università di Trieste
Source: Gabriele Crosilla, "Federico Bencovich: la fortuna critica, un itinerario" in: "AFAT 31", EUT Edizioni Università di Trieste, Trieste, 2012, pp. 75-94
Series/Report no.: AFAT
31
Abstract: 
This paper aims to provide a summary of the fortuna critica of the Dalmatian painter Federico Bencovich
(1677-1753), beginning with some biographical notes published in the 18th century finishing with some 21st
century studies. The author wants to demonstrate how the successful cliché which consists in the common
opinion that Bencovich is responsible for Tiepolo’s art’s formation, was largely created by Moschini’s opinion
on Bencovich. Consequently, in the 20th century a lot of paintings, characterized by a genius and a sprightliness
rococo’, were ascribed to the Dalmatian painter; but recently most of them have been assigned to other
painters (young Tiepolo, Crosato, Mildorfer). The catalogue of Bencovich is becoming increasingly poorer than
it already was, and maybe we should correct his role in the venetian survey of the 18th century.
Type: Article
URI: http://hdl.handle.net/10077/12856
ISSN: 1827-269X
eISSN: 2499-6750
Appears in Collections:AFAT 31

Files in This Item:
File Description SizeFormat
Crosilla_75-94.pdf306.07 kBAdobe PDFThumbnail
View/Open
Show full item record


CORE Recommender

Page view(s) 50

526
checked on Nov 26, 2020

Download(s)

925
checked on Nov 26, 2020

Google ScholarTM

Check


This item is licensed under a Creative Commons License Creative Commons