Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/12864
Title: Maillol e l’Italia: diffusione dell’opera e fortuna critica dal Salon d’Automne al 1930
Authors: Salvador, Fabiana
Issue Date: 2012
Publisher: EUT Edizioni Università di Trieste
Source: Fabiana Salvador "Maillol e l’Italia: diffusione dell’opera e fortuna critica dal Salon d’Automne al 1930" in: "AFAT 31", EUT Edizioni Università di Trieste, Trieste, 2012, pp. 181-194
Series/Report no.: AFAT
31
Abstract: 
The success of Aristide Maillol originates at the Salon d’Automne in 1905. He owes much to the German
critics and collectors who value his work internationally. The French artist is almost absent from the Italian
exhibitions and does not receive any particular attention from the critics and the press. However, he is wellknown
by the Italian sculptors thanks to the diffusion of illustrated art magazines and to personal experiences
of some in the French capital. At the end of the Twenties, a fundamental role is recognized to Maillol in the
classicist renovation of the arts in Italy.
Type: Article
URI: http://hdl.handle.net/10077/12864
ISSN: 1827-269X
eISSN: 2499-6750
Appears in Collections:AFAT 31

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