Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/12866
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dc.contributor.authorGardonio, Matteo-
dc.date.accessioned2016-06-09T10:02:18Z-
dc.date.available2016-06-09T10:02:18Z-
dc.date.issued2012-
dc.identifier.citationMatteo Gardonio, "Momenti cruciali tra Venini e la Biennale: lettere inedite di Napoleone Martinuzzi" in: "AFAT 31", EUT Edizioni Università di Trieste, Trieste, 2012, pp. 215-222it_IT
dc.identifier.issn1827-269X-
dc.identifier.urihttp://hdl.handle.net/10077/12866-
dc.description.abstractNapoleone Martinuzzi was the artistic director at Venini glass factory from 1925 to 1931. Some new letters discovered during the research for the great exhibition at San Giorgio in Venice but unfortunately after the publication of the catalogue and also after the symposium organized by the Glass Study Centre at Fondazione Giorgio Cini on 5th June, are important to understand the role of him inside the Venini’s organization. There are also some letters related to Biennale of 1930, written to obtained the decoration of the central hall.it_IT
dc.language.isoitit_IT
dc.relation.ispartofseriesAFATit_IT
dc.relation.ispartofseries31it_IT
dc.titleMomenti cruciali tra Venini e la Biennale: lettere inedite di Napoleone Martinuzziit_IT
dc.typeArticle-
dc.identifier.eisbn2499-6750-
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.languageiso639-1it-
item.openairetypearticle-
Appears in Collections:AFAT 31
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