Please use this identifier to cite or link to this item:
Title: Appunti da un viaggio a Urbino: la pala di Montefiorentino
Authors: Trevisan, Davide
Keywords: Polittico di MontefiorentinoUrbino
Issue Date: 2016
Publisher: EUT Edizioni Università di Trieste
Source: Davide Trevisan, "Appunti da un viaggio a Urbino: la pala di Montefiorentino", in "AFAT 35", Trieste, EUT Edizioni Università di Trieste, 2017, pp. 3-9
Journal: AFAT. Rivista di Storia dell’arte fondata nel 1975 
Part of: AFAT 35. Rivista di Storia dell’arte fondata nel 1975
Abstract: The polyptych of Montefiorentino is the first work by Alvise Vivarini, painted in 1476 and probably intended for the memorial chapel of the noble Oliva family; for a long time it was keept in the sacresty of the monastery’s church, into XX century when it is transferred to the Palazzo Ducale of Urbino. Many studies have emphasized the painter’s novelty, when compared to his family’s artistic tradition. As it has been pointed out, the figure of saint Francis on the far left was not attributed to Alvise himself, but first to his father Antonio (Zampetti 1950) and later to his father’s assistant (Steer 1982), who was only employed in the execution, and not in the creating of the drawing. However, it seems difficult to believe that an assistant participated in the work, signed by LVDOVICUS VIVARINVS, because of the weak pictorial quality, which allows us to question whether it was a modern copy or repainting.
ISSN: 1827-269X
eISSN: 2499-6750
DOI: 10.13137/2499-6750/16254
Appears in Collections:AFAT 35

Files in This Item:
File Description SizeFormat 
AFAT_Trevisan.pdf3.48 MBAdobe PDFView/Open
Show full item record

CORE Recommender

Page view(s)

checked on Aug 21, 2018


checked on Aug 21, 2018

Google ScholarTM



This item is licensed under a Creative Commons License Creative Commons