Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/16263
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dc.contributor.authorRago, Marcoit_IT
dc.date.accessioned2017-12-04T11:05:15Z-
dc.date.available2017-12-04T11:05:15Z-
dc.date.issued2017-
dc.identifier.citationMarco Rago, "Alcune considerazioni sull’attività internazionale di Pietro Antonio Rotari", in "AFAT 35", Trieste, EUT Edizioni Università di Trieste, 2017, pp. 111-124it_IT
dc.identifier.issn1827-269X-
dc.identifier.urihttp://hdl.handle.net/10077/16263-
dc.description.abstractThis article presents and analyses, for the first time in Italy, three unpublished works of Pietro Antonio Rotari: two drawings from the Museum of Art of Providence and the Nativity from the Stimmate Institute of Verona. These are important testimonies for the definition of some still unknown aspects about one of the most important painters of the Eighteenth century in Europe.it_IT
dc.language.isoitit_IT
dc.publisherEUT Edizioni Università di Triesteit_IT
dc.relation.ispartofAFAT. Rivista di Storia dell’arte fondata nel 1975it_IT
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/-
dc.subjectPietro Antonio Rotariit_IT
dc.subjectRococòit_IT
dc.subjectNeoclassicismoit_IT
dc.titleAlcune considerazioni sull’opera internazionale di Pietro Antonio Rotariit_IT
dc.typeArticle-
dc.identifier.doi10.13137/2499-6750/16263-
dc.identifier.eissn2499-6750-
dc.relation.ispartAFAT 35. Rivista di Storia dell’arte fondata nel 1975-
item.languageiso639-1it-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
item.grantfulltextopen-
item.openairetypearticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
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