Brezpredmetnost in ekonomičnost v poeziji

Abstract

V članku je predstavljen odnos Kazimira Maleviča do poezije, ki ga je ta slikar in teoretik umetnosti izrazil v svojem traktatu O poeziji (1918–19). Malevič je veliko sodeloval s futurističnimi pesniki, njegovo razmišljanje o suprematizmu in brezpredmetmetnosti v umetnosti pa je v svojih delih najbolj dosledno upošteval pesnik Aleksej Kručonih. Tako v zaumni poeziji (eksces jezika) kot tudi poznih rokopisnih knjigah iz kavkaškega obdobja (odsotnost jezika, črka kot vizualni element) Kručoniha se kažejo osnovni koncepti (ritem, gibanje in mirovanje, načelo ekonomičnosti), s pomočjo katerih Malevič teoretsko osnuje suprematistično umetnost in oriše možnost brezpredmetnega sveta.

The article presents Kazimir Malevich’s theory of poetry that he expressed in his treatise On Poetry (1918–19). Malevich collaborated with futurist poets on many occasions; particularly the poet Aleksei Kruchenykh used same concepts as Malevich to develop his poetical expression. We can track this in his so called transmental poetry or zaum (excess of language) as well as in the late handwritten books from the Caucasian period (absence of language, letter as a visual element). Same concepts (rhythm, movement and stillness, principle of economy) are used, with which Malevich theoretically established his new movement in art – Suprematism, and described the possibility of the objectless world.