Repository logo
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
Repository logo
Repository logo
  • Archive
  • Series/Journals
  • EUT
  • Events
  • Statistics
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
  1. Home
  2. EUT Edizioni Università di Trieste
  3. Periodici
  4. Slavica Tergestina
  5. Slavica Tergestina 22 (2019/I)
  6. NSK, IRWIN in Malevič
 
  • Details
  • Metrics
Options

NSK, IRWIN in Malevič

NSK, IRWIN and Malevich
Mršek Bajda, Lela Angela
2019
Loading...
Thumbnail Image
ISSN
1592-0291
DOI
10.13137/2283-5482/24688
http://hdl.handle.net/10077/24688
  • Article

e-ISSN
2283-5482
Abstract
Univerzalna transhistorična tipizacija avantgard Petra Bürgerja, ki jo sam uvidi kot razprto, je mogoča na podlagi njegovih izhodišč, če jo povežemo z definicijo temporalnosti avantgard Petra Osborna. Razmerje lahko preizkusimo na primeru več desetletij dejavnega avantgardnega kolektiva v povezavi z zgodovinsko avantgardo. Odločili smo se za primer manifestov NSK in IRWIN ter IRWIN-ovega zgodovinjenja zgodovine Malevičeve umetnosti. Smrt je tako pri Maleviču kot pri IRWIN splet časov, ki omogoča prehod materialnega v idejno. Ugotovili smo, da tisto, kar Bürger imenuje umetniški material, obstaja kot z umetnostjo inicirana temporalizacija relacij. Glede na to je avantgardna montaža estetski način povezovanja, je idejni proces. Montaža kot atribut avantgarde je estetsko funkcionalizirana ideja.
The universal transhistorical typification of the avant-garde by Peter Bürger, which he himself presents as redefinable, is possible on the basis of his premises when related to the definition of avant-garde temporality by Peter Osborne. This relation can be examined in the example of decades of activity of an avant-garde collective in relation to a historical avant-garde. We decided on an example of manifestos by NSK and IRWIN and for IRWIN’s historicizing of Malevich’s art history. Both, Malevich and IRWIN consider death as an interlacing of times, that facilitates a transition from something material into something ideal. This led to the determination that art material, as Bürger calls it, exists as temporalization of relations, initiated by art. In this regard, an avant-garde assemblage is an aesthetical mode of inter-relations, it is a process of ideas. An assemblage as an attribute of avant-garde is an aesthetically functionalized idea.
Journal
Slavica Tergestina
Subjects
  • avantgarda

  • temporalizcija

  • estetska funkcionaliz...

  • montaža

  • manifest

  • smrt

  • nedovršeno

  • avant-garde

  • temporalization

  • aesthetical functiona...

  • assemblage

  • manifesto

  • death

  • unperfected

Publisher
EUT Edizioni Università di Trieste
Source
Lela Angela Mršek Bajda, "NSK, IRWIN in Malevič", in "Slavica Tergestina 22 (2019/I)", Trieste, EUT Edizioni Università di Trieste, 2019, pp. 154-172
Languages
sl
Rights
CC0 1.0 Universal
Licence
http://creativecommons.org/publicdomain/zero/1.0/
File(s)
Loading...
Thumbnail Image
Download
Name

SlavicaTer_22-2019-1_08-Bajda.pdf

Format

Adobe PDF

Size

167.16 KB

Indexed by

 Info

Open Access Policy

Share/Save

 Contacts

EUT Edizioni Università di Trieste

OpenstarTs

 Link

Wiki OpenAcces

Archivio Ricerca ArTS

Built with DSpace-CRIS software - Extension maintained and optimized by 4Science

  • Cookie settings
  • Privacy policy
  • End User Agreement
  • Send Feedback