Repository logo
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
Repository logo
Repository logo
  • Archive
  • Series/Journals
  • EUT
  • Events
  • Statistics
  • English
  • Italiano
  • Log In
    Have you forgotten your password?
  1. Home
  2. EUT Edizioni Università di Trieste
  3. Periodici
  4. Prospero. Rivista di letterature e culture straniere
  5. 2019 / 24 Prospero. Rivista di letterature e culture straniere
  6. Kilito et la fabrique du texte. Lieux de la mémoire et enjeux de la création romanesque
 
  • Details
  • Metrics
Options
Kilito et la fabrique du texte. Lieux de la mémoire et enjeux de la création romanesque
Bissani, Atmane
2019
Loading...
Thumbnail Image
ISSN
1123-2684
DOI
10.13137/2283-6438/29624
http://hdl.handle.net/10077/29624
  • Article

e-ISSN
2283-6438
Abstract
A theorist and a practitioner of the literary text, Kilito provides us with a piece of work in which he ‘thinks’ that reality (the world) starts from two major perspectives: one is aesthetical and the other is philosophical. Aesthetically, Kilito’s writing is situated in-between the storytelling and the essay. This means that his fiction could be seen as an impure literary expression, proceeding by means of entanglements and overlaps between genres and categories. That is why we are inclined to label Kilito as a rhapsode, muallif, considering that he builds his fictional universe out of scattered elements, originating, here and there, in the classical Arabic tradition, but updated to a nowadays context. Philosophically, Kilito’s writing asks questions and problematises as it focuses on notions taken from the classical Arabic culture. Such notions are ontologically decisive and substantial. One example is the notion of the Author, al-muallif, or that of the origin of the text as it is the case of Arabian Nights, a text whose origin is contested by the author in La langue d’Adam. My ultimate goal hereinafter is to deal with Kilito’s art of writing, that is to say with the fictional construction process, as one can recognize it in the traces of his writing, not only of the fictional, but also of the essayistic one. I will consider the ‘fabrication’ of fiction at Kilito, on the one hand, starting from an analysis of the three essential components of his work as a rhapsode : the somatic, the poetic and the book-related memory. On the other hand, I will deal with the impure writing (postmodern aesthetics) at Kilito, a reader of the Arabian Nights, of Kundera, of Kafka, of Cervantes and of the classics of the field, so as to open the text to its semantical as well as aesthetical possibilities.
Journal
Prospero. Rivista di letterature e culture straniere 
Publisher
EUT Edizioni Università di Trieste
Source
Atmane Bissani, "Kilito et la fabrique du texte. Lieux de la mémoire et enjeux de la création romanesque" in: "2019 / 24 Prospero. Rivista di letterature e culture straniere", EUT Edizioni Università di Trieste, Trieste, 2019, pp. 263-284
Languages
fr
Rights
Attribution-NonCommercial-NoDerivatives 4.0 Internazionale
Licence
http://creativecommons.org/licenses/by-nc-nd/4.0/
File(s)
Loading...
Thumbnail Image
Download
Name

17_XXIV_2019_online.pdf

Format

Adobe PDF

Size

288.2 KB

Indexed by

 Info

Open Access Policy

Share/Save

 Contacts

EUT Edizioni Università di Trieste

OpenstarTs

 Link

Wiki OpenAcces

Archivio Ricerca ArTS

Built with DSpace-CRIS software - Extension maintained and optimized by 4Science

  • Cookie settings
  • Privacy policy
  • End User Agreement
  • Send Feedback