Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/30677
Title: From Theatre Experiments to National Institutions: Lado Kralj and Dušan Jovanović between 1968 and the 1980s
Other Titles: Od pozorišnog eksperimenta do nacionalne institucije: Lado Kralj i Dušan Jovanović između 1968. i osamdesetih godina
Authors: Troha, Gašper
Keywords: Dušan JovanovićLado KraljSlovenian theatreexperimental theatreThe Student MovementDušan JovanovićLado Kraljslovena čko pozorišteeksperimentalno pozorišteStudentske demonstracije
Issue Date: 2020
Publisher: EUT Edizioni Università di Trieste
Source: Gašper Troha, "From Theatre Experiments to National Institutions: Lado Kralj and Dušan Jovanović between 1968 and the 1980s" in: "Slavica Tergestina 24 (2020/I)", EUT Edizioni Università di Trieste, Trieste, 2020, pp. 208-229
Journal: Slavica Tergestina 
Abstract: 
The article analyses the developments in Slovenian theatre between 1968 and 1985. It follows the careers of Dušan Jovanović, playwright and director, and Lado Kralj, director and professor of comparative literature, as members of the generation that entered the public sphere around 1968 and went on to radically change the Slovenian theatre of the 1970s and 1980s. The analysis shows that the main goals of the student movement—freedom of speech and of artistic expression as well as social change—were also at the heart of the artistic revolution that started in 1969 before it was developed by experimental theatre groups (Glej and Pekarna) and finally adopted by theatre institutions (the Mladinsko Theatre and the Slovenian National Theatre Drama Ljubljana).

U radu se bavim istorijom slovenačkog pozorišta od 1968. do 1985. godine skicirajući razvojne puteve Dušana Jovanovića, pisca i režisera, i Lada Kralja, režisera i profesora istorije književnosti i pozorišnih studija. Obojica su predstavnici generacije koja stupa na scenu 1968. i unosi radikalnu promenu u slovenačko pozorište sedamdesetih i osamdesetih godina 20. veka. Kroz analizu će se pokazati da su osnovni ciljevi studentskih demonstracija – sloboda govora i umetničkog izraza, kao i društvene promene – i ciljevi umetničke revolucije koja je počela s Pupilijom 1969. godine i razvila se u eksperimentalni teatar (Glej i Pekarna), kako bi osamdesetih godina ušla u nacionalne institucije (Mladinsko pozorište i Slovenačko nacionalno pozorište Drama Ljubljana).
Type: Article
URI: http://hdl.handle.net/10077/30677
ISSN: 1592-0291
eISSN: 2283-5482
License: Attribution-NonCommercial-NoDerivatives 4.0 Internazionale
License URL: http://creativecommons.org/licenses/by-nc-nd/4.0/
Appears in Collections:Slavica Tergestina 24 (2020/I)

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This item is licensed under a Creative Commons License Creative Commons