Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/31836
Title: Irredentismo a Trieste, irredentisti a Roma. Il caso dello scultore Attilio Selva
Authors: Masolini, Lisa
Keywords: IrredentismAttilio SelvaMonumental Sculpturethe Great WarNationalismirredentismoscultura monumentaleGrande guerranazionalismo
Issue Date: 2018
Publisher: EUT Edizioni Università di Trieste
Source: Lisa Masolini, "Irredentismo a Trieste, irredentisti a Roma. Il caso dello scultore Attilio Selva" in: "Qualestoria. Rivista di storia contemporanea. Anno XLVI, N.ro 1, Giugno 2018", Trieste, EUT Edizioni Università di Trieste, 2018, pp. 23-46
Journal: Qualestoria. Rivista di storia contemporanea 
Abstract: 
This essay about sculptor Attilio Selva (1888-1970) aims to deepen the meaning of his public works realised for Trieste and Capodistria between the Twenties and the Thirties, focusing on the cultural and political context. Born in Trieste, he grew up in a background dominated by the notion of «irredentismo», both for his family education and his connection to the nationalist Roman circle gravitating towards «L’Idea Nazionale» magazine. This cultural background is a key point in order to give a new interpretation of the artist’s monumental oeuvre, which has been often considered to be a mere expression of Fascist regime.
Type: Article
URI: http://hdl.handle.net/10077/31836
ISSN: 03936082
Rights: Attribution-NonCommercial-NoDerivatives 4.0 Internazionale
Appears in Collections:46/1 - Qualestoria. Rivista di storia contemporanea. Anno XLVI, N.ro 1, Giugno 2018

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