Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/32501
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dc.contributor.authorOgrin, Matijait
dc.date.accessioned2021-09-23T09:35:36Z-
dc.date.available2021-09-23T09:35:36Z-
dc.date.issued2021-
dc.identifier.citationMatija Ogrin, "Slovenian Manuscripts of the Late Baroque: Literary Tradition Defying Enlightenment Censorship" in: "Slavica Tergestina 26 (2021/I)", EUT Edizioni Università di Trieste, Trieste, 2021, pp. 197-221it
dc.identifier.issn1592-0291-
dc.identifier.urihttp://hdl.handle.net/10077/32501-
dc.description.abstractSlovenian literature of the early modern period is characterized by a fact common to some smaller European literatures: because of difficult access to printing, manuscript culture played an important role in this literature from the early seventeenth century to the mid-nineteenth century. For certain literary genres of this period, the existence of texts, their textual transmission, distribution, and reader reception could be based almost exclusively on the medium of the manuscript. When Enlightenment censorship began to suppress Baroque Catholic literature in the late eighteenth century, Slovenian manuscript culture was a means of perpetuating the literary tradition in a persistent and creative way. This article outlines six groups of Slovenian manuscripts that managed to do so, albeit only for a limited period of time.it
dc.description.abstractSlovensko književnost zgodnjega novega veka zaznamuje dejstvo, skupno nekaterim manjšim evropskim literaturam, da je zaradi težavnega prehoda v tiskani medij vse od zgodnjega 17. stoletja do srede 19. stoletja v tej književnosti imela pomembno vlogo rokopisna kultura. Za določene literarne zvrsti tega obdobja so se obstoj besedil, njihova preoddaja, diseminacija in bralska recepcija lahko opirali skoraj izključno na rokopisni medij. Ko je v poznem 18. stoletju razsvetljenska cenzura začela zatirati baročno katoliško literaturo, je bila slovenska rokopisna kultura sredstvo trdoživega in kreativnega nadaljevanja literarne tradicije. Članek oriše šest skupin slovenskih rokopisov, ki jim je to v veliki meri uspelo, četudi le za omejen čas.it
dc.language.isoenit
dc.publisherEUT Edizioni Università di Triesteit
dc.relation.ispartofSlavica Tergestinait
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internazionale*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectslovenian literatureit
dc.subjectbaroqueit
dc.subjectmanuscriptsit
dc.subjectcensorshipit
dc.subjectvita christiit
dc.subjecthagiographiesit
dc.subjectascetic proseit
dc.subjectslovenska književnostit
dc.subjectBarokit
dc.subjectrokopisiit
dc.subjectcenzurait
dc.subjectvita christiit
dc.subjecthagiografijeit
dc.subjectasketična prozait
dc.titleSlovenian Manuscripts of the Late Baroque: Literary Tradition Defying Enlightenment Censorshipit
dc.title.alternativeSlovenski rokopisi poznega baroka: kljubovanje literarne tradicije razsvetljenski cenzuriit
dc.typeArticleit
dc.identifier.doi10.13137/2283-5482/32501-
dc.identifier.eissn2283-5482-
dc.identifier.doieutx-
item.fulltextWith Fulltext-
item.grantfulltextopen-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.cerifentitytypePublications-
item.languageiso639-1en-
item.openairetypearticle-
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