Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/3260
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dc.contributor.authorFernandelli, Marco-
dc.date.accessioned2009-07-27T08:37:32Z-
dc.date.available2009-07-27T08:37:32Z-
dc.date.issued2008-
dc.identifier.citation"Miti, miti in miniatura, miti senza racconto. Note a quattro epilli (Mosch. "Eur." 58-62, Catull. 64,89-90, Verg. "georg." IV 507-515, Ou. "met." XI 751-795)" , in CentoPagine. Rivista elettronica internazionale che raccoglie i contributi resi nei Seminari sulla continuità dell'antico 2 (2008), pp.12-27it
dc.identifier.issn1974-0395-
dc.identifier.urihttp://hdl.handle.net/10077/3260-
dc.description.abstractThe pattern ‘frame and inset’ is a characteristic feature of Roman epyllion. Under this respect, Moschus’ Europa was a precursor of it. This study surveys the development of the type within Latin literature from Catullus to Ovid – i.e. from problematic unity to mannerism and play with forms – focusing on some passages of highly representative and influencial poems.-
dc.language.isoitit
dc.publisherEUT – Edizioni Università di Triesteit
dc.titleMiti, miti in miniatura, miti senza racconto. Note a quattro epilli (Mosch. "Eur." 58-62, Catull. 64,89-90, Verg. "georg." IV 507-515, Ou. "met." XI 751-795)it
dc.typeArticle-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.openairetypearticle-
item.fulltextWith Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
item.languageiso639-1it-
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