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Title: | "Une grotte qu’il faut peindre bien romantique". Epillio e ecfrasi nei frammenti poetici di André Chénier | Authors: | Marinčič, Marco | Issue Date: | 2008 | Publisher: | EUT – Edizioni Università di Trieste | Source: | "'Une grotte qu’il faut peindre bien romantique'. Epillio e ecfrasi nei frammenti poetici di André Chénier", in CentoPagine. Rivista elettronica internazionale che raccoglie i contributi resi nei Seminari sulla continuità dell'antico 2 (2008), pp.64-73 | Series/Report no.: | CentoPagine. Rivista elettronica internazionale che raccoglie i contributi resi nei Seminari sulla continuità dell'antico 2 |
Abstract: | Since the posthumous publication of his poetic work in 1819, André Chénier has often tended to be regarded as a spiritual father of French Romanticism. Characteristically, Théophile Gautier referred to the philhellenism of Chénier and to the fragmentary nature of his work as anticipatory of a new era in literature. While reaffirming Chénier’s adherence to the aesthetics of 18th century neo-classicism, this article seeks to link the experimental character of «Le Banquet des Satyres» – its form as a fragmentary ‘prosimetric’ sketch, its generic hybridity, acoustic and visual illusionism, interplay of idyllic and tragic tonalities – with Virgil’s Sixth Eclogue as a study in the ‘implicit poetics’ of the Hellenistic and neoteric epyllion. |
Type: | Article | URI: | http://hdl.handle.net/10077/3265 | ISSN: | 1974-0395 |
Appears in Collections: | CentoPagine 2008 |
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08_Marincic.pdf | 442.92 kB | Adobe PDF | ![]() View/Open |
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