Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/7113
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dc.contributor.authorBonnetain, Yvonne S.it
dc.date.accessioned2012-06-04T07:41:16Z-
dc.date.available2012-06-04T07:41:16Z-
dc.date.issued2000-
dc.identifier.citationYvonne, S. Bonnetain, "Die nordischen Rezeptionen des Tristanstoffs", in: Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali, VII (2000), pp. 5-19it
dc.identifier.issn1123-2684-
dc.identifier.urihttp://hdl.handle.net/10077/7113-
dc.description.abstractScandinavian adaptations centred on the figure of Tristan are on the whole characterised by an attempt to incorporate the cultural differences between the context of production and that of reception in a structure that results suitable to the expectations and habits of the public. This tendency pervades the Norwegian "Tristrams saga ok Ísöndar" (1226), the Icelandic "Tristrams saga ok Ísoddar" (half of the 14th Century) as well as a broad group of ballads of Danish origins.it
dc.language.isodeit
dc.publisherEUT Edizioni Università di Triesteit
dc.relation.ispartofseriesProspero. Rivista di Letterature Straniere, Comparatistica e Studi Culturaliit
dc.relation.ispartofseriesVII (2000)it
dc.titleDie nordischen Rezeptionen des Tristanstoffsit
dc.typeArticleit
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item.grantfulltextopen-
item.cerifentitytypePublications-
item.languageiso639-1de-
item.openairetypearticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_6501-
Appears in Collections:2000 / 7 Prospero. Rivista di culture anglo-germaniche
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