Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/7117
Title: Die imaginierte Anna: Zur Namenssymbolik und Benennung der weiblichen Figuren bei Horváth
Authors: Raspa, Isabel
Issue Date: 2000
Publisher: EUT Edizioni Università di Trieste
Source: Isabel Raspa, " Die imaginierte Anna: Zur Namenssymbolik und Benennung der weiblichen Figuren bei Horváth", in: Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali, VII (2000), pp. 65-83
Series/Report no.: Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali
VII (2000)
Abstract: In the texts by Horváth that precede the “turn” of 1932, the representation of the woman's social condition is symbolically reflected in the choice of names that are deeply grounded in the religious tradition. Both in Sechsunddreißig Stunden (1929) and in Geschichten aus dem Wiener Wald (1931) the use of strongly connoted names such as Agnes or Marianne clearly prefigures the ideological and social horizon/perspective in which these figures and their vicissitudes are situated. Nevertheless, at a later moment in time, female characters often undergo processes of depersonalisation that are reflected in the substitution of the proper names with mere typological denominations.
URI: http://hdl.handle.net/10077/7117
ISSN: 1123-2684
Appears in Collections:2000 / 7 Prospero. Rivista di culture anglo-germaniche

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