Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/7117
DC FieldValueLanguage
dc.contributor.authorRaspa, Isabelit
dc.date.accessioned2012-06-04T07:48:50Z-
dc.date.available2012-06-04T07:48:50Z-
dc.date.issued2000-
dc.identifier.citationIsabel Raspa, " Die imaginierte Anna: Zur Namenssymbolik und Benennung der weiblichen Figuren bei Horváth", in: Prospero. Rivista di Letterature Straniere, Comparatistica e Studi Culturali, VII (2000), pp. 65-84it
dc.identifier.issn1123-2684-
dc.identifier.urihttp://hdl.handle.net/10077/7117-
dc.description.abstractIn the texts by Horváth that precede the “turn” of 1932, the representation of the woman's social condition is symbolically reflected in the choice of names that are deeply grounded in the religious tradition. Both in "Sechsunddreißig Stunden" (1929) and in "Geschichten aus dem Wiener Wald" (1931) the use of strongly connoted names such as Agnes or Marianne clearly prefigures the ideological and social horizon/perspective in which these figures and their vicissitudes are situated. Nevertheless, at a later moment in time, female characters often undergo processes of depersonalisation that are reflected in the substitution of the proper names with mere typological denominations.it
dc.language.isodeit
dc.publisherEUT Edizioni Università di Triesteit
dc.relation.ispartofseriesProspero. Rivista di Letterature Straniere, Comparatistica e Studi Culturaliit
dc.relation.ispartofseriesVII (2000)it
dc.titleDie imaginierte Anna: Zur Namenssymbolik und Benennung der weiblichen Figuren bei Horváthit
dc.typeArticleit
item.grantfulltextopen-
item.fulltextWith Fulltext-
Appears in Collections:2000 / 7 Prospero. Rivista di culture anglo-germaniche
Files in This Item:
File Description SizeFormat
Raspa_Prospero_2000_VII.pdf5.29 MBAdobe PDFView/Open
Show simple item record


CORE Recommender

Page view(s)

651
Last Week
1
Last month
checked on Nov 12, 2018

Download(s)

592
checked on Nov 12, 2018

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.