Please use this identifier to cite or link to this item: http://hdl.handle.net/10077/942
DC FieldValueLanguage
dc.contributorValerie, Naas-
dc.date.accessioned2006-08-22T07:27:33Z-
dc.date.available2006-08-22T07:27:33Z-
dc.date.created2005-
dc.date.issued2006-08-22T07:27:33Z-
dc.identifier.isbn88-8303-179-2-
dc.identifier.urihttp://hdl.handle.net/10077/942-
dc.description.abstractIl discorso sull'arte antica sviluppato da Plinio il Vecchio nella Naturalis Historia sembra privilegiare soprattutto la nozione senocratica di mimesis, rispetto a quella di phantasia valorizzata da Cicerone e Quintiliano. Il contributo intende dimostrare come alcuni aneddoti pliniani relativi alla questione siano meglio comprensibili se collegati al concetto di phantasia, nonostante quest'ultimo non sia mai nominato apertamente nell'opera.it
dc.description.abstractThe discourse of ancient art developed by Pliny the Elder in the Naturalis Historia seems to favour above all the xenocratic concept of mimesis, as opposed to phantisia's one valued by Cicero and Quintilian. The scholar wants to demonstrate that some plinian anecdotes about this question are better understood if they are related to phantasia, even if this concept is never openly mentioned in Pliny's work.en
dc.format.extent147047 bytes-
dc.format.mimetypeapplication/pdf-
dc.language.isoit-
dc.relation.ispartofseriesPolymnia. Studi di Filologia Classica 6it
dc.rights© Copyright 2005 Edizioni Università di Trieste - EUTit
dc.subjectPlinio il Vecchio-
dc.subjectnaturalis historia-
dc.subjectphantasia-
dc.subjectPliny the Elder-
dc.subjectnaturalis historia-
dc.subject.otherScienze dell'antichità, filologico-letterarie e storico-artisticheit
dc.titleDe la mimesis à la phantasia: le discours sur l’art d’après Pline l’Ancienen
dc.typeBook Chapter-
item.fulltextWith Fulltext-
item.grantfulltextreserved-
item.openairetypebookPart-
item.languageiso639-1it-
Appears in Collections:04. Incontri triestini di filologia classica (2004-2005)
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